Van Gogh, Reaper, 1889
I've been thinking all day about Leo Tolstoy's
Anna Karenina
. I read it this past summer, mostly because it seemed to me that it
should be read, and not because I had any particular burning desire to read it. For one thing, it spans some 800 pages and does drag in parts. While I had to persevere through some portions, there are certain images and impressions that stick and come to my mind unexpectedly.
There are many characters in the book (and so many of them have names that end in -sky and -vich, it seems), but the two main protagonists are Anna Karenina and Konstantin Levin. My purpose here is not to provide a summary or analysis of the book, so I'll get to my point.
Anna Karenina irritates me. She is beautiful, passionate, elegant, cultivated, educated, determined, creative -- and completely irresponsible and selfish. You might disagree. She lives by the guiding principle that love is stronger than anything else -- even when her actions fly in the face of duty. She insists on following her heart at any cost. (I suppose part of my problem with Anna is that at the time I was reading the book, the wife of a good friend decided to up and leave her husband after nearly two decades of marriage, in the name of following her heart and passion . . . . I kept thinking over and over, "You
are Anna Karenina. And you should know what happened to her. It involved a train. It was not good.")
Konstantin Levin, on the other hand, is the character I have thought the most about after finishing the last page. He really isn't a very interesting man, and he has his irritating characteristics as well. But his search for self-definition and happiness resonates with me. My favorite scene in the book describes Levin (who has his own Russian estate with many peasants working the land for him) spending an entire day mowing the hay alongside the peasants. The exertion and rhythm of it is pure bliss. Here's how Tolstoy describes it:
The longer Levin mowed the oftener he felt the moments of unconsciousness in which it seemed that the scythe was mowing by itself, a body full of life and consciousness of its own, and as though by magic, without thinking of it, the work turned out regular and precise by itself. These were the most blissful moments.
As I go about my days -- so often feeling overwhelmed by the seemingly mundane repetitiveness of my existence -- I sometimes find myself thinking about Levin, scythe in hand, struggling to keep pace, fighting with the tool and tearing at the grass with such energy that he nearly collapses at the end of each row. It's rapture.
And that's what I love about Levin and about this scene. Even the completely ordinary moments of our days contain goodness and joy. As we struggle with our tasks, there is satisfaction in an evenly mowed length behind us. There is satisfaction in children that are scrubbed clean, fed, and tucked into bed. There is satisfaction in a gleaming kitchen floor. There is satisfaction in work (of any variety) well done.
Like Thoreau, I so want to "cut a broad swath* and shave close." But what I am thinking tonight is that you need not be Anna Karenina in order to do it. You can "live deep and suck out all the marrow of life" and be more Konstantin than Anna. As much as I would love to throw caution to the wind, do something drastic and go live deliberately in some remote corner of the world, I'll keep mowing my field, finding bliss in the rhythm of the scythe.
*Isn't "swath" a lovely word? It means the width of a scythe stroke or a mowing-machine blade. A swath is a path made in mowing. I like to think of myself swinging that sickle as well as I can, cutting a path as I go.